On Completeness

As a child, in my grandmother’s beautiful house, I was drawn to decorative drawer pulls, lamp finials, bejeweled wine stoppers, and other fine objects that appeared whole at first glance, yet revealed an unfinished back or functional intrusion—a screw, a mounting—a necessary compromise that interrupted their sovereignty. I sought objects that were complete in themselves, resolved from every angle.

Litor objects are self-contained, without assigned function, allowing form to exist without compromise.

In this way, Litor carries forward an early way of seeing — one that values wholeness, sustained attention, and the satisfaction of an object complete in itself.